{\b William Congreve}. {\b Date of Birth}.: Jan. 24, 1670 {\b Date of Death}.: Jan. 19, 1729 {\b Works}. Restoration dramatist and novelist. Congreve's first published work was a novel, Incognito, or Love and Duty Reconcil'd (1692). He also published a prose narrative entitled An Impossible Thing (1720) and a defence of contemporary theatre, Amendments of Dr Colliers False and Imperfect Citations (1698), written in response to the aforementioned Dr Collier's Short View of the Immorality and Prophaneness of the English Stage (1698). However, Congreve is best-known for his plays, of which the greater part are comedies of manners. These include The Old Bachelor (1693), The Double Dealer (1694) and Love for Love (1697). They were followed by his only tragedy, The Mourning Bride (1697), and his best-known comic piece, The Way of the World (1770). His still later works include a masque, The Judgement of Paris (1701), and an operatic piece entitled Semele (1710) which furnished Handel with part of a libretto for an oratorio. {\b Featured Works}. 'The Way of the World'. {\b General Comment}. Congreve was born to a military family at Bardsy near Leeds in 1670. After his father had been granted a military post in Ireland, Congreve attended school at Kilkenny, the Irish equivalent of Eton, and then went on to study at Trinity College, Dublin. In 1688 the Congreve family returned to live in England and two years later William enrolled as a law student at the Middle Temple. His first work, the novel Incognito (1692) brought him immediate renown as a man of letters and he quickly became Dryden's protégé. In time he would also become friends with other major literary figures of his time such as Swift, Pope and John Gay, the author of The Beggars Opera. His first real literary success came just one year after the appearance of his early novel with the premiere of The Old Bachelor, which ran for an unprecedented fourteen days. His next play, The Double-Dealer, was less successful, as indeed was the more tragic The Way of the World at its premiere in 1700. Congreve then gave up writing for the stage, became involved in the management of the New Haymarket theatre in 1705 and subsequently took on a whole series of civil service posts; he was first Commissioner for Licensing Hackney coaches and then Commissioner of wine licenses, before becoming Secretary for Jamaica in 1724. In his latter years Congreve suffered somewhat both from gout and an incipient blindness. His life came to an abrupt end when he was run down, ironically enough, by a carriage in the streets of Bath.